|
Lifetime Achievement Award
2010 Recipient to be announced.
2009 Recipient
Jerry Foster
|
Early Bio:
Jerry was
born in a log house in a town with a population of 59. He was raised on
music and hard work and from age 9, he travelled beside his father and
their team of mules, raising cotton and corn. While at school, he earned
extra cents by selling poems to his school seniors. His father had
bought him a guitar at age 5 and taught him to play a few chords and
soon Jerry was taking part in the family get-togethers. A natural
performer, he eventually hit the road and earned money as a picker. Then
he went to Parris Island and spent two months learning how to become a
Marine. He formed a local group and played weekends. He began putting
melodies to his poems and this led to a recording deal, in 1958, with
the Houston-based Backbeat label. Foster’s popularity began to grow, and
he secured his first TV series on WSAF Savannah, Georgia. He then moved
to KFVS-TV in Cape Girardeau, Missouri, with his own show and also as
talent booker. |
 |
 |
Early Bio:
Jerry was
born in a log house in a town with a population of 59. He was raised on
music and hard work and from age 9, he travelled beside his father and
their team of mules, raising cotton and corn. While at school, he earned
extra cents by selling poems to his school seniors. His father had
bought him a guitar at age 5 and taught him to play a few chords and
soon Jerry was taking part in the family get-togethers. A natural
performer, he eventually hit the road and earned money as a picker. Then
he went to Parris Island and spent two months learning how to become a
Marine. He formed a local group and played weekends. He began putting
melodies to his poems and this led to a recording deal, in 1958, with
the Houston-based Backbeat label. Foster’s popularity began to grow, and
he secured his first TV series on WSAF Savannah, Georgia. He then moved
to KFVS-TV in Cape Girardeau, Missouri, with his own show and also as
talent booker. |
Hits:
Jerry
had his first
cut in 1968, when Charley Pride recorded The Day The World Stood Still,
which reached the Top 5, and followed it up with the Top 3 hit, The Easy
Part’s Over, the latter earning the first of their two BMI awards. The
following year, Jeannie C. Riley had a Top 40 success with The Back
Side Of Dallas. In 1970, Stan Hitchcock had back-to-back hits with
Call Me Gone and Dixie Belle. However, that same year, Mel
Tillis had a Top 5 with Heaven Everyday.
In 1971, Foster and Rice
racked up a slew of hits that included, All I Want to Do Is Say I
Love You (Brian Collins), At Least Part Of The Way (Stan
Hitchcock), Give Him Love and Think Again (both Patti
Page) and Is It Any Wonder That I Love You and What About The
Hurt (both Bob Luman). That year, they set the then ASCAP record,
receiving 5 awards. The following year, the duo had a bumper crop of
major hits that included, Somebody Loves Me, Someone To Give My Love
To and Love Is A Good Thing (all by Johnny Paycheck), It
Takes You and When You Say Love (both by Bob Luman), Is It
Any Wonder That I Love You (Nat Stuckey) and Would You Take
Another Chance On Me (their first No.1, from Jerry Lee Lewis). Lewis
also recorded Think About It Darlin’ as the flip-side of his
follow-up single, Chantilly Lace. During the year, they broke their own
ASCAP award record by receiving 10 awards.
In 1973, it was Jerry’s turn
to make his chart debut, when Copperhead scraped in and then
Looking Back (a 1958 Pop hit for Nat "King" Cole), reached the Top
60, both on Cinnamon. That year, Foster and Rice had another generous
helping of songs cut and made hits of by other artists, including All
In The Name Of Love (Narvel Felts), Darling You Can Always Come
Back Home (Jody Miller), I Hate Goodbyes (Bobby Bare),
Something About You I Love (Johnny Paycheck) and Take Time To
Love Her (Nat Stuckey). During 1974, their run continued unabated
with Born To Love And Satisfy (Karen Wheeler), Loving You Has
Changed My Life and Hey There Girl (both David Rogers),
When Your Good Love Was Mine, Until The End Of Time and I
Want To Stay (all by Narvel Felts/Felts and Bill Rice’s future wife,
singer/songwriter Sharon Vaughn), I’ll Think Of Something (Hank
Williams, Jr.), Song And Dance Man and My Part Of Forever
(both by Johnny Paycheck) and Rosie Cries A Lot (Ferlin Husky).
Once again, they broke their own ASCAP record when they received eleven
awards plus four production awards for their newly constituted
production company, Farah. Their roster was Narvel Felts, Bobby Bare,
Sharon Vaughn and Foster and Rice themselves. During 1975, Eddy Raven
had hits with Foster and Rice’s Ain’t She Something Else and
You’re My Rainy Day Woman. The following year, Paycheck scored with
another of Jerry and Bill’s songs, I Can See Me Lovin’ You Again.
In addition, they had hits from Jacky Ward with I Never Said it Would
Be Easy and Jerry Lee Lewis with Let’s Put It Back Together Again.
In 1977,Mickey Gilley took their song, Here Comes The Hurt Again
into the Top 10.
They had major cuts from Steve Wariner with Easy Part’s Over
(1980), Jerry Lee Lewis with the Top 5 single Thirty Nine And Holding
(1981), Johnny Rodriguez with First Time Burned (1984) and
the No.1 hit from Conway Twitty, Ain’t She Something Else
(1985). Jerry has had over 500 songs recorded during his career, mostly
by major artists.
Jerry and
Bill are the most awarded songwriting team in the history of ASCAP, and
hold the records for most awards received in one year. They also hold
the distinction of having 10 songs in the billboard country music charts
in one week.
Honors:
1977 -
Cash Box’s "Composers of the Year."
1981 -
Nominated for a Grammy for Gilley’s “Here
comes the Hurt”.
By
1993 Won Over 60 ASCAP Awards,
1994 -
Inducted into the Nashville Songwriters Hall of Fame. 2007 - Inducted
into the North American Country Music Association International Hall of
Fame
Film:
He worked with
David Stratharian, Henry Thomas, Martin Landau, Jennifer O'Neil, Lindsey
Wagner, Armmie Hammer, Miley Cyrus, Barry Bostwick, Vanessa Williams,
Vivica Fox to list a few. Some of his film credits include HANNA
MONTANA THE MOVIE, BILLY THE EARLY YEARS,
JUNKYARD DOG, THE GREEN MILE, SPARKLE AND TOOTER, THE MARTIN, CIVIL
BRAND, PROUD HEART , FRAMED, and W.W. and THE DIXIE DANCE KING. He has
appeared on shows such as NASHVILLE NOW and videos with Emerson Drive,
Diamond Rio, Gretchen Wilson, and Trace Atkins and has hosted several TV
shows.
|
| 2008 Award Tom T. Hall
Born May 25, 1936 in Olive Hill, Kentucky. Tom T.
is an American country balladeer, songwriter, and country singer. He has
written 11 #1 hit songs, with 26 more that reached the Top 10, including
the pop crossover hit "I Love", which reached #12 on the Billboard Hot
100.
As a teenager, Hall put together a band called the Kentucky Travelers
that performed before movies for a traveling theater. During a stint in
the Army, Hall performed over the Armed Forces Radio Network and wrote
comic songs about Army experiences. His early career included being a
radio announcer at WRON, a local radio station in Ronceverte, West
Virginia. Hall was also a DJ at WVRC Radio in Spencer WV in the 1960s
|
  |
| One of his earliest successful songwriting ventures,
"Harper Valley PTA," was recorded in 1968 by Jeannie C. Riley, sold over
six million copies, and won both a Grammy Award and CMA award. The song
would go on to inspire a motion picture and television program of the
same name. Hall himself has recorded this song, on his album The
Definitive Collection (as track #23). Hall's recording career took
off after Ms. Riley's rendition of the song, and he had such hits as "A
Week in a Country Jail," "Old Dogs, Children and Watermelon Wine," "I
Love," "Country Is," "The Year Clayton Delaney Died," "I Like Beer,"
"Faster Horses (The Cowboy and the Poet)," and many others. He is also
noted for his children-oriented songs, including "Sneaky Snake" and "I
Care," the latter of which hit #1 on the country charts in 1975. |
 |
|
 |
Hall's big songwriting break came in 1963, when country singer Jimmy
C. Newman recorded his song, "DJ For a Day." Soon, Hall moved to
Nashville, and within months, he had songs climbing the charts. Hall has
been nicknamed "The Story Teller," and he has written songs for dozens
of country stars, including Johnny Cash, George Jones, Loretta Lynn,
Waylon Jennings, Alan Jackson, and Bobby Bare.
Hall won the Grammy
Award for Best Album Notes in 1973 for the notes he wrote for his album
Tom T. Hall's Greatest Hits. He was nominated, but did not win,
for the same award in 1976 for his album Greatest Hits, Volume 2.
He also hosted the syndicated country music TV show "Pop! Goes the
Country" in 1980 |
| His 1996 song "Little Bitty", from the album Songs
from Sopchoppy, became a #1 single that year when it was recorded by
Alan Jackson for the album Everything I Love.
His song "I Love", in which the narrator lists the things in life
that he loves, was used, with altered lyrics, in a popular 2003 TV
commercial for Coors Light.
On July 3rd, 2007, he released the CD "Tom T. Hall Sings Miss Dixie &
Tom T." on his independent bluegrass label Blue Circle Records.
On February 12th, 2008, Hall was inducted into the Country Music Hall
of Fame |
Visit Tom T, @ his website |
|
 |
2007 Life Time Achievement Award "Outlaw" Waylon Jennings
|
|
Waylon was
the first country singer to sell a million records, Waylon's career
spanned 6 decades. Grammy Winner, songwriter, actor, author and
businessman; he was a lot of things to a lot of people. He is an
American original. |
Waylon personified the outlaw
country movement. Jennings
rejected the conventions of the recording industry back in the '70s with
other songwriter/artists such as Willie Nelson and Kris Kristofferson.
The whole "outlaw" movement -- so-named because of the artists' ragged,
maverick image and their independence became one of the most significant
country forces of the '70s. |
|
Jennings
was born and raised in Littlefield, TX, where he learned how to play
guitar by the time he was eight. When he was 12 years old, he was a DJ
for a local radio station and, shortly afterward, formed his first band.
Two years later he left school and spent the next few years picking
cotton, eventually moving to Lubbock, TX, in 1954. |
 |
|
 |
Once he was in Lubbock, he got
a job at the radio station KLLL, where he befriended Buddy Holly. Holly
became Waylon's mentor, teaching him guitar licks, collaborating on
songs, and producing Jennings' first single, "Jole Blon." Later that
year, Waylon became the temporary bass player for Holly's band the
Crickets. |
|
Jennings
was also scheduled to fly on the plane ride that ended in Holly's tragic
death in early 1959, but he gave up his seat at the last minute to the
Big Bopper, who was suffering from a cold.
Waylon Jennings last comment to Buddy Holly was
"Hope your darn ole plane crashes." "Mainly what I learned from Buddy,"
Jennings recalled, "was an attitude. He loved music, and he taught me
that it shouldn't have any barriers to it." |
 |
|
In 1963,
Waylon landed a contract with Herb Alpert's A&M Records. his single,
"Sing the Girl a Song, Bill," and album flopped.
Following the A&M debacle, Jennings landed a contract with RCA with help
from Bobby Bare, and he moved to Nashville in 1965 to record with the
legendary Chet Atkins. After arriving in Nashville, he moved in with
Johnny Cash, and the two musicians began a long-lasting friendship. |
Waylon
released his first single for RCA in '65, "That's the Chance I'll Have
to Take," and it became a minor hit. With his second single, "Stop the
World (And Let Me Off)," he had his first Top 40 country hit, and it
began a string of moderate hits that eventually developed into several
Top Ten singles -- "Walk On out of My Mind," "I Got You," "Only Daddy
That'll Walk the Line," "Yours Love" -- in 1968
|
|
In 1970,
Jennings recorded several songs by a struggling but promising songwriter
called Kris Kristofferson, which led to a pair of ambitious albums --
Singer of Sad Songs and Ladies Love Outlaws -- the following year.
|
During
the following year, Waylon began collaborating with Willie Nelson,
recording and writing several songs with the songwriter. Just as
importantly, he also renegotiated his contract with RCA in 1972,
demanding that he assume the production and artistic control of his
records. |
Waylon's success continued
throughout 1975, voted the Country Music Association's Male Vocalist of
the Year. Jennings truly crossed over into the mainstream in 1976, when
Wanted! The Outlaws -- featured songs from his wife Jessi Colter,
Willie Nelson, and Tompall Glaser -- peaked at number one on the pop
charts.
Following the success of Wanted!, Waylon became a superstar, as well
known to the mainstream pop audience as he was to the country audience.
During many of these same years, the TV series The Dukes of Hazzard ---
for which Jennings wrote and sang the theme song and served as
off-screen narrator --- further popularized his sound and the trademark
image of his leather-covered guitar. |
For the next six years,
Jennings' albums consistently charted in the pop Top 50 and went gold.
During this time, he recorded a number of duets with Nelson, including
the multi-platinum Waylon & Willie (1978), which featured the number one
single "Mammas Don't Let Your Babies Grow Up to Be Cowboys." |
Over the course of the late
'70s and early '80s, Jennings scored ten number one hits, including "Luckenbach,
Texas (Back to the Basics of Love)" (which hit number 25 on the pop
charts and spent six weeks at the top of the country charts), "The
Wurlitzer Prize (I Don't Want to Get Over You)," "I've Always Been
Crazy," "Amanda," "Theme from 'The Dukes of Hazzard' (Good Ol' Boys),"
and three duets with Nelson. |
|
Recording
for MCA and Epic during the late 1980s and early 1990s, and touring
until his death in 2002. With Willie Nelson, Johnny Cash, and Kris
Kristofferson, Jennings gained another No. 1 smash with 1985's
"Highwayman," title cut for a gold-selling Columbia album. |
Jennings won election to the
Country Music Hall of Fame in 2001 and died on February 13, 2002. He is
survived by his wife, Jessi Colter, and their son, Waylon Albright
"Shooter" Jennings; Colter's daughter, Jennifer; and five children from
Jennings' previous marriages: Terry, Tomi Lynn, Julie, Deana and Buddy. |
|

Jennings
rugged individualism and musical vision continue to inspire both
seasoned veterans and young, aspiring songwriters. The Legacy
continues...... |

Shooter Jennings |
2006
Recipient |
|
 |
Controversial and
shunned. The fest does not shy away from the status quo.
DAVID ALLAN COE, the Ultra-Long-Haired, Tatoo'd, "Over-The-Top,"
Mysterious, Country Music Outlaw who said, "Take This Job and Shove It."
"Coe is always willing to talk about the success
of other writers in the business on his concert stage to acknowledge
those who helped such as Johnny Cash. Coe takes the time to give the
songwriter recognition on stage during his performances to reminds us
of the songwriter's contribution to the music industry!" Cherokee
Mangus |
|
DAC wrote a number
1 song for Tanya Tucker, 'Would You Lay With Me (In A Field Of
Stone)?'. Coe became naturally a glorifying outlaw with his song,
'Longhaired Redneck' which he wrote about himself. And song,
'Willie, Waylon And Me'. |

|
|
 |
And Johnny Paycheck had
a US country number 1 with Coe's 'Take This Job And Shove It' as
well as David Allan Coe's own successes include, 'Divers
Do It Deeper', and 'Jack Daniels If You
Please'. Also, 'Now I Lay Me Down To
Cheat' and song, 'The Ride', (which conjures up a meeting
between Coe and Hank Williams.) |
|
Coe's hilarious additions to Steve
Goodman's 'You Never Even Called Me By My Name'. One of Coe's
Country-Pop crossover hits, 'Mona
Lisa's Lost Her Smile', reached number 2 on US country charts, |
 |
|
 |
Coe's Recordings
with other performers include
'Don't Cry Darlin'' and
'This Bottle (In My Hand)'
with George Jones,
'I've Already Cheated On You'
with Willie Nelson, and song, 'Get
A Little Dirt On Your Hands'
with Bill Anderson.
Waylon
Jennings, in 'Living Legends', remarked about David Allan Coe:
'He may still be an outlaw but that only means double-parking on Music
Row.' |
|
David Allan Coe is a sensitive,
intelligent writer. Coe is always willing to talk about other writers in
the business on his concert stage to acknowledge those who helped him
such as Johnny Cash. |
   |
|
|

REMEMBERING
Dottie West
By Brad Fischer
On Friday, June 17 at the 2005 Nashville SongWriters Festival I was
honored to present a Lifetime Achievement Award to the legendary
Dottie West's children, Shelly, Dale, Morris and Kerry ( who was on
tour with Ronnie Milsap at the time) on behalf of the Songwriters
Festival.
|
|
Country Dreams Come True
As a young girl
Dottie West dreamed of one day being able to sing on the same Grand Ole
Opry stage as her heroes. Born in McMinnville, then nothing more than
whistle stop in Tennessee, she was proud of her heritage which included
her Cherokee great, great grandmother. But music ran deep in her soul
and she attended the Tennessee Technological University where she
obtained her music degree. At that time, she was one of the first in
country music to have one. While in college she met Bill West who played
a mean steel guitar. The two married and moved to Cleveland where they
performed on the local country music television program, Landmark
Jamoree. In 1959 she was signed by Starday Records and the couple move
to Nashville. Their circle of friends soon included other struggling
young performer/songwriters like Willie Nelson, Hank Cochran, and Roger
Miller. |
|
Dottie finally got
a cut with her first composition "Is This Me?" which became a hit for
Jim Reeves and earned her a BMI Songwriter's Award. Reeves then brought
her to the attention of Chet Atkins who was instrumental in landing her
a recording contract with RCA Records. The very next year one of her
lifelong dreams came true when she became a regular cast member of the
Grand Ole Opry. Two years later she had her first hit as an artist with
"Here Comes My Baby" which she co-wrote with her husband. |
|
The
song was then covered by Perry Como, the first of over a hundred
different artists to record it. The song became something of a
pop/country standard and earned her a Grammy, which no other female
country singer had done before. This was followed by fifteen other
nominations.
Dottie then went
into the studio to record her first duet, a format that soon became a
great success throughout her career. Her partner was Jim Reeves, and the
song was Justin Tubb's "Love Is No Excuse." It became a Top Ten hit and
spawned a collaboration that was cut short when Reeves was killed in a
tragic airplane crash. Undaunted, Dottie continued to record many hits
of her own. |
|
During
this time she wrote a jingle for Coca-Cola based on her song "Country
Sunshine." The commercial was such a success that she received a Clio
Award (the Grammy of the advertising industry), the first country
performer to be so honored. As a result, Coca-Cola gave her a lifetime
contract to write jingles for the company. By the late seventies she had
written and produced 15 such tunes for them. |
|
The
Good Times and the Bad
Life is full of
changes and Dottie's was no exception. Through maintaining a busy
touring schedule throughout the U.S.A., Canada, and Europe, she learned
like many other performers that constant traveling wreaks havoc on a
marriage. After a long collaboration she and Bill were divorced.
Eventually she married her drummer, Byron Metcalf, and also switched to
the United Artists label where she recorded two duet albums, Every Time
Two Fools Collide and Classics, with Kenny Rogers. Both albums went
Gold, and the Country Music Association named them Vocal Duo of the Year
in '78 and '79.
After divorcing
Metcalf she had a string of hit singles, either written by her or
co-written with favorite collaborators like Alex Harvey, Mark Grey and
Larry Gatlin. Like legend Patsy Cline, who was her mentor, Dottie
constantly took young songwriters and performers under her wing. Another
sure sign of a great lady. |
|
Although
eventually plagued with financial troubles, Dottie West remained the
trouper she always was right to the end. Ironically, like her good
friend Jim Reeves, her life was tragically cut short by a freak car
accident while on her way to perform at the Grand Ole Opry. The truth
is, no-one deserved a Life Achievement Award more than Dottie West. God
bless her soul! |
|
Shelly
West accepted the posthumous commendation for the family and
spoke of her mother's many talents including the several other
prestigious awards she had won during her lifetime. Following in her
mother's footsteps, Shelly also became a country music star with several
#1 hits including "Jose Cuervo" penned by Cindy Jordan as well as
a string of hit duets with David Frizzell (Lefty's younger brother), one
of which was "You're The Reason God Made Oklahoma" written by Ray
Collins, Larry Collins, and Sandy Ankard.
"The family
anxiously awaited this meaningful and most welcome Lifetime Achievement
Award presentation, captured only by Fox 17 network, and a number
of Dottie West fans/ photographers; Brad Fischer ask for a moment of
silence for Dottie West outside the United Artist Towers downtown Music
Row." which was Dottie's Label as well as RCA; one could sense Dottie's
spirit very near as we gathered prayerfully to recognize a legend." |
|

Here's the
photo. This was Taken at the Opry during Dottie's last appearance.
In fact, this was the first time I saw Dottie since Cleveland, Ohio
when She was playing with Wendy Blevins on the Jamboree. We talked
about old times and past memories.
For a very
short time I was a member of Wendy's band. Dottie and another female
singer I think her name was Kathy, were featured singers.
I left for
California in 1964, and raised a son Billy who, is now the drummer
for Tim McGraw. I retired from music in 2004 and at present I'm a
photojournalist for the Coast Guard Auxiliary, Percy Priest
Flotilla.
William R.
"Bobby" Mason, (Left, One of Dottie's Drummers.) Dottie West (right)
|
|
|

Bob Hicks
(Conway Twitty, Loretta Lynn, George Strait,
and other cuts past and present.) Hasn't missed a fest yet. Ask him
about his bio and the old days when ya see him. He loves to share his
experiences. |
|
Bob Cargile
This gentleman drove all the way from
Seattle to be at our festival. When Bob had registered for the fest he
sent some old news clippings, Billboard rankings and 45's. It touched
our hearts so we took the memorabilia, framed it and represented it back
to him. Thus began the humble beginnings of our lifetime Achievement
Award. |
|